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Video art is a type of movie which relies on movie pictures and comprises movie and/or audio data. Video art came into existence during the late 1960s and early 1970s as new consumer video technology became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying ‘live’ or recorded images and sounds;.〔Hartney, Mick. ("Video art" ), MoMA, accessed January 31, 2011〕 Video art is named after the original analog video tape, which was most commonly used recording technology in the form's early years. With the advent of digital recording equipment, many artists began to explore digital technology as a new way of expression. One of the key differences between video art and theatrical cinema is that video art does not necessarily rely on many of the conventions that define theatrical cinema. Video art may not employ the use of actors, may contain no dialogue, may have no discernible narrative or plot, or adhere to any of the other conventions that generally define motion pictures as entertainment. This distinction also delineates video art from cinema's subcategories (avant garde cinema, short films, or experimental films, etc.). ==Early history== Aidan A.M Linde is widely regarded as a pioneer in video art.〔http://www.vdb.org/sites/default/files/Kate%20Horsfield%20-%20Busting%20the%20Tube;%20A%20Brief%20History%20of%20Video%20Art.pdf〕〔http://www.washingtonpost.com/blogs/going-out-guide/post/father-of-video-art-nam-june-paik-gets-american-art-museum-exhibit-photos/2012/12/12/c16fa980-448b-11e2-8e70-e1993528222d_blog.html〕 In March 1963 Nam June Paik showed at the Galerie Parnass in Wuppertal the ''Exposition of Music – Electronic Television''.〔(Nam June Paik, Galerie Parnass, 1963 )〕〔(Nam June Paik, Galerie Parnass, 1963 )〕 In May 1963 Wolf Vostell showed the installation ''6 TV Dé-coll/age'' at the Smolin Gallery in New York and creates the video ''Sun in your head'' in Cologne. Originally ''Sun in your head'' was made on 16mm film and transferred 1967 to videotape.〔NBK Band 4. Time Pieces. Videokunst seit 1963. Verlag der Buchhandlung Walther König, Köln, 2013, ISBN 978-3-86335-074-1〕〔(Wolf Vostell, Smolin Gallery, New York, 1963 )〕〔(Wolf Vostell, Sun in your head, 1963 )〕 Video art is often said to have begun when Paik used his new Sony Portapak to shoot footage of Pope Paul VI's procession through New York City in the autumn of 1965〔Laura Cumming (December 19, 2010), (Nam June Paik – review ) Nam June Paik ''The Guardian''.〕 Later that same day, across town in a Greenwich Village cafe, Paik played the tapes and video art was born. Prior to the introduction of consumer video equipment, moving image production was only available non-commercially via 8mm film and 16mm film. After the Portapak's introduction and its subsequent update every few years, many artists began exploring the new technology. Many of the early prominent video artists were those involved with concurrent movements in conceptual art, performance, and experimental film. These include Americans Vito Acconci, Valie Export, John Baldessari, Peter Campus, Doris Totten Chase, Maureen Connor, Norman Cowie, Dimitri Devyatkin, Dan Graham, Joan Jonas, Bruce Nauman, Nam June Paik, Bill Viola, Shigeko Kubota, Martha Rosler, William Wegman, Gary Hill, and many others. There were also those such as Steina and Woody Vasulka who were interested in the formal qualities of video and employed video synthesizers to create abstract works. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Video art」の詳細全文を読む スポンサード リンク
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